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Evocative

Took this shot with a 1:1 lens at sunset in December, and we were losing light fast, so settings for one shot weren’t accurate for the next shot. Still, I like this image. It’s been brightened and sharpened and filtered, and remains imperfect, but it evokes other images.

If this were a book cover, what kind of story would it contain?

Jamie at the campus
(c2016, KB)

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Story Mines: Dreams and Family Lore

Story Mines: Dreams and Family Lore

Dreams and family history are two rich story mines. Below are a couple examples from my life:

This morning, shortly before waking, I had a long and detailed dream about my old job. There were new faces and new ideas, and none of the rookies seemed unsettled to see me, but started telling me what was going on, whose idea was whose, what worked, what didn’t, and why.

However, before I could meet the new employees or reach the new workspace (a shiny new and bright concession stand, one of many places I oversaw in the old job), I had to pass people with whom I used to work. They didn’t greet me or smile, but immediately began complaining about my absence. They were sarcastic, passive-aggressive, unhappy.

When I tried to leave that little conclave of depression and blame, they followed me, still complaining, still muttering. None of them, however, set foot into the bright, new workspace.

I turned around from admiring the new setup and speaking with the smart, young assistant manager, and looked out the open door to where the conclave gathered in the dark. They shot ugly looks, quieted but never stopped muttering.

That’s when I woke.

That’s also when I was reminded that 1) those burdens are no longer mine to bear, and 2) vision and gratitude turn on the lights.

(originally written March 1, 2014)

———-

Most of my social media connections know what I think about racism, the pernicious, persistent misnomer that’s not about race — we’re all the human race, there is no other — and all about skin color and ethnicity: Racism ends when we let it end. When skin color and ethnic origins are simply allowed to be, without the assumption or the weight of something ugly attached.

I don’t tend to make ethnicity a big deal in my stories. People are who they are, who they decide to be, who their actions lead them to become, and sometimes their origins have an impact on that.

The Deer Place“, however, directly addresses racism, and mixes elements from family lore and my father’s childhood. He recalls being called a “dirty Indian” and other names when he was young. He also had a special place on the mountain where he met the deer, and one day he discovered where they went.

(originally written February 28, 2015)

 

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Communication and Respect

c2016, KB

c2016, KB

There’s a meme I occasionally encounter on social media, and it’s a quote from Isaac Asimov:

There is a cult of ignorance, and there has always been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that ‘my ignorance is just as good as your knowledge’.

Usually, I let the meme pass without comment.

Not so after the most recent encounter:

Unfortunately, democracy is made up of flawed human beings of varying perspectives, values, and educations. One trauma, one triumph, one challenge, one loss, one gain, one ________ can change our view of the world and of ourselves.

We — an all-encompassing “we” — need not assume that someone’s disagreement with our point of view means they are the ignorant one in the conversation.

Regardless of where we stand on certain issues, we too often think we stand above those with whom we do not agree. That, I think, is one main reason there are such gaping chasms between groups in this country.

Are only those with whom we agree worthy of courtesy?

Are only those we deem our intellectual equals worthy of our respect?

Are only those we consider morally correct worthy of being treated with decency?

We tend to assume we’re the ones with the whole truth, and often do not consider we might be mistaken.

On the other hand, there is absolute truth, and if we have no strength of conviction, we’ll never stand for anything.

There’s a time to hear and understand other points of view, even if we never change our own stance.

There’s a time to examine ourselves and explore other ideas, and then decide whether or not we need to adjust or to remain firm.

Simply because others disagree does not mean we double-down, speak louder, or become aggressive in trying to change their minds.

Maybe we’re the ones who are wrong.

Maybe, in our ignorance, we overlook their intelligence.

 

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Dragon’s Bane Update

Dragon’s Bane Update

First, a bit of housekeeping: The recent Goodreads giveaway was a success. Not quite as many participants as the 2015 giveaway, there were still a large number of entrants interested in Dragon’s Rook. The winners are Jessica from the Netherlands, and Sheila from New Mexico. Signed paperback copies have been mailed, and should arrive soon.

Second, questions have been asked by readers concerning the availability of Dragon’s Bane, the second half of The Lost Sword duology. They have served as prods to speed up the completion of the story:

1) I just finished Dragon’s Rook and loved it. Any news on when the sequel will be available for purchase? I can’t wait!

(T)hank you for the kind review! We writers pour pieces — minutes, hours, years — of our lives into our work, so when readers receive it well, we are encouraged to continue.

As for when Dragon’s Bane will be available, I had hoped it would be completed and published by January 2016, but life matters took me away from it for a long while. (I won’t bore you with the details.) However, I hope to have it ready soon.

Today’s revisions included (SPOILER ALERT) a reunion scene between two characters who each thought the other was dead. ūüôā

2) I just finished Dragon’s Rook, really liked it. I was wondering when the sequel is coming?

First, thank you for reading the book!

Second, I’m pleased that you enjoyed it.

Third, I wanted the book completed and published this year. However, due to life circumstances, my writing has been quite slow. Dragon’s Bane is about one-third complete, and there are copious notes regarding unwritten scenes.

The ending scene was written about fifteen years ago — believe it or not! — but it may change. I’m exploring a couple of potential plot twists that never occurred to me during the writing of the first book, but which may deepen the story even further.

Below is a taste, a scene from the first third of the book, a confrontation between Lady Yan√°mari and her mother, Queen Una:

The eyes widened, the fury grew, and as it did, Queen Una fully materialized, her form solid, even the tiny creases around her eyes and mouth delineated. She released Yan√°mari and stepped back, lifting her arms from her sides and lowering her head, looking at Yan√°mari from beneath dark brows.

As the queen opened her mouth to speak, Yan√°mari laughed. The sight was too comical: flowing black garments, menacing stare, threatening posture. A bit too much like the H√īk Nar Brethren. In the past two days, she had seen more amazing things than this.

Beside, what true power resorted to manipulation and magic?

There was something external about magic, as if the one who practiced it and the one upon whom it was practiced were both tools of a capricious power that must be cajoled and lured with secret rites and careful spells. Is that where her mother had been all these years? Learning the dark arts? What an absurd expenditure of time.

Where was she when I was a child and longed for a mother? When I might have loved her?

But there was no hope of traveling that road‚ÄĒthe cart had already passed.

(c2016, KB)

For more information or to read reviews, visit keananbrand.com.

 

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Step Right Up!

Step Right Up!

(rabid used-car-salesman gestures and wild-eyed look) “Step right up, folks! A once-in-a-lifetime opportunity!”

The lawyer clears his throat, and the salesman amends his pitch. “A once-in-a-year opportunity!”

The lawyer nods.

“Enter now to win one of two signed paperback copies of Dragon’s Rook!”

And, for those readers who don’t prefer the high-pressure sales pitch, here’s a graphic with an embedded link, which you may click or not, as you wish. ūüėČ

2 Win a FREE Book!

 

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A Brief Word About Beta Readers

A Brief Word About Beta Readers

In a discussion on Facebook, someone asked the difference between a beta reader and an editor, and the cost one might expect to pay for the services of either. When I said that one should not pay for beta readers, there was disagreement. However, I still maintain that one need not pay for beta readers.

Consider them your product testers. They’re the focus group who tries out the new invention, samples a new product, gives feedback on an upcoming ad campaign, views an early cut of a movie, or tests a new video game to see if it plays as it should.

If you (or a close, trusted individual) are the alpha reader of your manuscript, then beta readers are the folks who see the final, pre-publication draft. That version can still be a manuscript, or it can take the form of a galley or proof copy of the book.*

In return for their effort on your behalf, give beta readers a signed copy of the published book, or offer to read or test something they’ve created.

But don’t hire beta readers as you would hire an editor. And while editors can provide a similar service in the form of a manuscript critique,**¬†there’s nothing like getting feedback directly from readers — who are, of course, a writer’s intended audience.


UPDATE (8-7-16): The paragraphs below are from a reader’s comments in a Facebook discussion sparked by this blog post. They expand upon and better explain what I attempted above.

A beta tester for a video game or other piece of software enters into an agreement wherein he receives a free or discounted early release of the software to use, and in return, the tester will tell the company what he thinks about the software — what does or doesn’t work, what is or isn’t intuitive, what he would like to see changed or further developed, etc. The beta tester is not paid for his work. He is asked, as an average user, to give the company his average-user opinion of the product. At best, he gets a free copy of the software, but it is both understood and accepted (and generally stated in some Terms and Conditions document somewhere, for legal reasons) in the IT community that beta testers are not compensated.

Testers who are hired on for their services are not hired to come at the software from the average user’s perspective; they are hired to make sure that the software functions appropriately (e.g. program doesn’t crash on loading, save function actually functions, etc.). They are hired to seek out and fix problems with the software, not to provide the average user’s perspective. These testers are not referred to as beta testers, because that’s not the job they do.

A beta reader receives a free or discounted early release of a book to read, and in exchange, the reader will tell the author what he thinks of the book — what does or doesn’t seem to fit or flow well in the story, what does or doesn’t make sense, what he would like to see further explained or developed, etc. This makes a beta reader the exact literary equivalent to a software beta tester. Traditionally, beta readers are treated the same as beta testers — that is, they are not paid for their services. And there is nothing wrong with that.

For clarification, if any reader, compensated or otherwise, provides any services outside what I listed above (other services include but are not limited to any form of editing, proofreading, etc.), then he has ceased to be a beta reader and strayed into editor/manuscript critic territory.


*¬†It’s best if beta readers are honest with you about what works or doesn’t, what they like or don’t like, and are willing to give specific feedback (not merely generic “I hate it” or “I like it” statements, but detailed responses).

Prepare a list of questions for them to answer, so they know what kind of feedback you need. Example: “In the scene where Tara is driving Sven to the airport and they encounter an overturned ambulance, is the dialogue and action believable? Why or why not?”

Keep the questions simple and straightforward, and keep the list short. Try not to make the readers feel they’re doing homework, but make it easy for them to help you.

Also provide readers with a simple way of reporting any typos or grammar issues they find. It’s handy when they¬†provide you a page number, and maybe even a paragraph and a line number — “page 35, paragraph 3, line 7” — as well as a description of what’s wrong (“dipsolve” should be “dissolve”).¬†

** Manuscript critiques may cover such issues as continuity, characterization, worldbuilding, etc. Regular editing may also touch on those issues, but will also focus on the writing itself.

 

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Story First

Anyone else wearied by myriad causes du jour? By politics and the endless “debates” about it on social media? By the expectation of outrage or an emotional response about [fill in the blank] lest one be¬†labeled by folks¬†who are outraged, offended, etc.?

In the literary realm, one current debate is the “inclusiveness” of novels, and some people think we need to keep score: x number of ethnic characters, x number of certain genders or sexual orientations, and so on. There’s plenty of agenda-driven fiction out there, from a variety of political, religious, and cultural viewpoints. From whence comes this¬†need to turn stories into soapboxes or pulpits?

I have opinions and beliefs, and I’ll talk about them, but not everyone requires, deserves, or is entitled to knowing what they are. In this age of constant exposure, personal freedoms¬†and privacy are in becoming a short supply. So is moderation of speech and behavior.

The Internet, as valuable as it can be, is also a digital three-ring circus. Society/culture at large is often a flamboyant, obnoxious tyranny demanding everyone think alike.

Not gonna happen.

Even in the most repressive governmental regimes, silence or outward compliance have never meant assent. There is always an underground.

I cannot and will not divorce what I believe from what I write. However, my focus is story first.

c2015, KB

c2015, KB

 

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