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Category Archives: Screenplay

W: When Characters Attack!

W: When Characters Attack!

What happens when a writer grows weary of his characters?

What happens when they fight back?

One is reminded of Sir Arthur Conan Doyle attempting to rid himself of Sherlock Holmes at Reichenbach Falls, or the author in Stranger Than Fiction whose protagonists never make it out alive.

Or perhaps the writer realizes she’s dug herself into a literary hole and doesn’t know when or how to end the story. (Lost, I’m lookin’ at you. And you, too, Once Upon a Time, which should have lasted only a season or two, before you misused your great cast and intriguing premise to go screaming off the rails into soap opera badlands.)

W is a 2016 South Korean television drama in the vein of Stranger Than Fiction, Secret Window, The Truman Show, The God Hater, and other stories where the characters confront or interact with their authors, their audiences, or their creators. In this series, comicbook characters become aware of their fictionhood and enter the real world to confront their creator.

First, the protagonist learns why a shadowy figure is trying to kill him and turns the tables on his creator. then the villain also realizes he can enter the other dimension, and demands of the creator a face and an identity.

How the story begins:

Kang Cheol has a few loyal associates upon whom he relies, but when a mysterious woman saves his life more than once, he’s intrigued. Although the police are seeking her as a material witness and a suspect in the multiple attempts on his life, Kang Cheol hides her in order to protect her not only from the police but also from his murderous stalker.

Meantime, his television station, W—which stands for Who and Why—broadcasts and solves cold cases that the police have abandoned. He has earned a golden reputation in society for his ingenuity, wealth, generosity, and dogged pursuit of justice.

Oh Yeon Joo is alerted by her father’s fellow artists that he is missing. He went into his office one day, and although he was never seen leaving, he cannot be found. As she’s standing in his office, searching for clues, a bloody hand reaches through his art tablet and pulls her into the world of W. Without valid ID, money, or other resources, she attempts to navigate the comicbook world and find a way back to her own.

Oh Seung Moo has made his fortune and his reputation with W, finally rising from obscurity to fame with the bestselling series. Why, then has he written an abrupt ending for the protagonist—a bloody death without the satisfaction of a solved crime? After all, fans have been awaiting the revelation of the villain who killed Kang Cheol’s family.

But Kang Cheol will not die, and he begins to affect the story from the other side of the tablet. Seung Moo is no longer in control of his creation.

Has Seung Moo run away, unable to cope with success? Or is he suffering a common literary malady—an inability to properly resolve the story?

And why does Kang Cheol believe Yeon Joo is “the key to my life”?

The answer to that, my friends, is a plot twist.

At only 16 episodes long, W is fast-paced. However, it does slow down a little on occasion, allowing the viewer to catch his or her breath and often poking gentle fun at kdrama tropes.

The cinematography is excellent, and the special effects—as characters pass from one world to the next, or as pieces of the comic are drawn and then appear in the webtoon world—are top-notch and deceptively simple. Some effects are in-camera rather than digital, lending a level of reality to the cartoon world.

W would fit nicely into any of these genres: horror, fantasy, thriller, mystery, suspense, romance, action, and more. It is twisty, unpredictable, and references many kdrama tropes then refreshes the cliches to turn the story in unexpected directions.

The reason for so many genres intermingling is due to the story being hijacked by the characters, who don’t know the cartoonist’s plans but simply want to live. And to live on their own terms.

Story themes include existence, humanity, determining one’s own life/destiny/future, and the roles and relationships among god/creator, devil/antagonist, and allies and enemies. Choices have consequences—and the choices and consequences become manifold as fictional characters no longer follow the plot but assert their wills on the story. Viewers of varying philosophies or worldviews will find this an intriguing tale.

Currently, W is available on Viki, which allows viewers to comment during the show. However, during your first viewing of the show, I suggest turning off the scrolling comments at the top of the video window, as they can be distracting, annoying, downright funny. Best to watch without them, until you view the show a second time.

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Ryan Runs for His Life: untitled screenplay

In effort to re-ignite creativity, I’ve been rummaging through old story ideas — novels, short stories, screenplays — and found a few things I’d forgotten. Below is an excerpt from my first attempt at a screenplay. Might make good story fodder for another project in the works.

———————————————–

Ext.Artist’s porch.Day

Sound of motorcycle roaring down the dirt road from the cabin to the highway.

RYAN, arms crossed, is leaning against the railing, his back to the view. He’s looking down at an old willow rocking chair; the tip of his boot on one of the rockers keeps the chair in motion.

Coffee in one hand, an old paint rag in the other, THE ARTIST watches him through the screen door, shakes his head, then pushes open the door and steps onto the porch, letting the door slap closed behind him. THE ARTIST steps to the rail, tucks the paint rag into his back pocket, and sips his coffee while looking out at the view.

THE ARTIST
Everything?

RYAN
(not looking up)
“Thanks for your loyalty. You’re the best person I know. And, oh, by the way, I hired the hitman.”

THE ARTIST
Yeah, but did you tell her everything?

Ryan looks aside, toward the dirt road. The motorcycle’s roar has faded almost to nothing. Shoving his hands into his pockets, Ryan steps to the side of the porch.

THE ARTIST
Clouds are more colorful than people think.
(gestures with his mug)
There’s white, sure, but then there’s blue, pink, gray, ocher…

Ryan looks up at the sky. It’s pristine, not a cloud in sight.

THE ARTIST (CONT’D)
…a little red, umber, maybe some green…

Ryan looks over his shoulder with a quizzical expression.

THE ARTIST (CONT’D)
…a hint of purple. And black. Definitely black.

Frowning a little, Ryan turns around, leans against the rail, wanting to ask what the heck the old man is talking about, but

THE ARTIST
Without the shadows, there’d be no dimension, nothing to give the clouds shape.

c2013, KB

c2013, KB

The artist sets the coffee mug on the top rail, takes a chunk of wood from a collection of rough shapes lining the lower porch railing, then pulls a folded knife from his pocket. He opens the knife, holds the wood close to his face, and starts shaving off pieces.

Ryan watches for a couple of beats.

RYAN
What’ll you do when you finally can’t see?

THE ARTIST
(chuckles)
Pottery.

He runs a thumb over a surface his knife has just smoothed, then he turns the shape, studying it, and starts carving again.

RYAN
How much do you get for one of those?

THE ARTIST
Fifteen, twenty dollars.

RYAN
A couple years ago, I bought one of your early landscapes. _________ Mountain. Quarter of a million.

THE ARTIST
I heard about it.

RYAN
Had to move a doorway to hang it.

THE ARTIST
You know where my money went? Everybody else. I drank. Gambled. Other stuff. Landscapes looked more and more like abstracts, and portraits could have been painted by children. I lost my family. But when I started losing my sight, that’s when I remembered how much I missed the details.
(a beat)
I came home.

RYAN
So going blind is a good thing.

THE ARTIST
(shrugs)
My hands still work.

Ryan strides to the opposite end of the porch and looks up the hillside. The peak of a weathered shake roof rises from the ridge: the old studio.

RYAN
If he’s anywhere around, he’ll follow the bike. He’ll know the rider isn’t me, but he’ll follow her anyway.

THE ARTIST
If he’s around, he’s probably up in those trees somewhere with a rifle, and you’re giving him the perfect shot.

RYAN
If he was here, he would have already done it.

The newspaper lays headline-up on the porch swing, forgotten from the earlier argument: “Playboy Billionaire Still Missing”, and a smaller headline, “No Ransom Demands”. The caption under a photo of Ryan’s distraught housekeeper includes the phrases “survivalist hike” and “presumed dead.”

He picks up the paper, looks up at the hillside again, drops the paper back onto the swing.

RYAN
Got any plans for that studio?

THE ARTIST
Give it back to the forest.
(pauses his carving)
Why?

c. KB

 

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