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Category Archives: Mystery

When Gaerbith Met Kieran

Struggling to complete this scene. I’ve already composed the first paragraphs of a scene that comes later, involving these characters, but am not sure how to proceed with this fight scene. It should be intense, I think, but witty.

Perhaps I am asking too much of it.

From the Plains rose a smudge of green that grew or shrank depending on the swell of the land as they travelled. Days later, it revealed itself as trees, and in two more days, the trees revealed their size, giants standing arm-in-arm.

Yanámari halted her mount on a grassy rise and looked East. “The Guardians.”

Gaerbith nudged his horse up the slope and joined her. Thick limbs intertwined, and massive trunks were separated only by the shadows between them. Somewhere beyond them light flashed, perhaps sun reflecting from the glass observatory built by King Meresh in long ages past. How had it survived the war and all the centuries after?

“The House of the Sky,” Gaerbith said, clasping Yanámari’s hand. “Home to your mother’s ancestors.”

“That blood is too remote to claim any kinship here.”

“Still. Almost home.”

By nightfall, they rested in a hollow among the tangled roots of the guardians. Fallen branches provided enough fuel for a fire in a small pit dug where the Plains sidled up to the trees, and a tiny brook trickled out from the shadows as if it had been awaiting their arrival before springing up from the ground. Gaerbith and Yanámari sipped handfuls from the rill spilling over tumbled stones, and the horses drank from the little pool it formed before disappearing into the tall, waving grass. Animals shuffled and snuffled somewhere beyond the Guardians—familiar night noises—but when a sudden silence fell, both horses lifted their heads, chins dripping, and pointed noses and ears toward the darkness.

A faint shrr of cloth against cloth sounded a moment before the quiet firmness of a careful footfall.

Reaching over his shoulder, Gaerbith gripped the hilt of his sword. “Come, you. No skulking. Show your face.”

He did not expect the answering chuckle, or the pleasant low voice that accompanied it. “That sword is nigh man-tall. Exchange it for a stave, and we will have fine sport.”

A thick staff flew from the shadows. Gaerbith caught it more by instinct than sight.

 

c2017, KB, for Dragon’s Bane, a novel

 

The connection between these two guys is a minor plot twist — revealed to the reader earlier in the story, but not yet known to Kieran. And, at this moment, not known to either guy, because Gaerbith does not yet know it’s Kieran who is challenging him.

 

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W: When Characters Attack!

W: When Characters Attack!

What happens when a writer grows weary of his characters?

What happens when they fight back?

One is reminded of Sir Arthur Conan Doyle attempting to rid himself of Sherlock Holmes at Reichenbach Falls, or the author in Stranger Than Fiction whose protagonists never make it out alive.

Or perhaps the writer realizes she’s dug herself into a literary hole and doesn’t know when or how to end the story. (Lost, I’m lookin’ at you. And you, too, Once Upon a Time, which should have lasted only a season or two, before you misused your great cast and intriguing premise to go screaming off the rails into soap opera badlands.)

W is a 2016 South Korean television drama in the vein of Stranger Than Fiction, Secret Window, The Truman Show, The God Hater, and other stories where the characters confront or interact with their authors, their audiences, or their creators. In this series, comicbook characters become aware of their fictionhood and enter the real world to confront their creator.

First, the protagonist learns why a shadowy figure is trying to kill him and turns the tables on his creator. then the villain also realizes he can enter the other dimension, and demands of the creator a face and an identity.

How the story begins:

Kang Cheol has a few loyal associates upon whom he relies, but when a mysterious woman saves his life more than once, he’s intrigued. Although the police are seeking her as a material witness and a suspect in the multiple attempts on his life, Kang Cheol hides her in order to protect her not only from the police but also from his murderous stalker.

Meantime, his television station, W—which stands for Who and Why—broadcasts and solves cold cases that the police have abandoned. He has earned a golden reputation in society for his ingenuity, wealth, generosity, and dogged pursuit of justice.

Oh Yeon Joo is alerted by her father’s fellow artists that he is missing. He went into his office one day, and although he was never seen leaving, he cannot be found. As she’s standing in his office, searching for clues, a bloody hand reaches through his art tablet and pulls her into the world of W. Without valid ID, money, or other resources, she attempts to navigate the comicbook world and find a way back to her own.

Oh Seung Moo has made his fortune and his reputation with W, finally rising from obscurity to fame with the bestselling series. Why, then has he written an abrupt ending for the protagonist—a bloody death without the satisfaction of a solved crime? After all, fans have been awaiting the revelation of the villain who killed Kang Cheol’s family.

But Kang Cheol will not die, and he begins to affect the story from the other side of the tablet. Seung Moo is no longer in control of his creation.

Has Seung Moo run away, unable to cope with success? Or is he suffering a common literary malady—an inability to properly resolve the story?

And why does Kang Cheol believe Yeon Joo is “the key to my life”?

The answer to that, my friends, is a plot twist.

At only 16 episodes long, W is fast-paced. However, it does slow down a little on occasion, allowing the viewer to catch his or her breath and often poking gentle fun at kdrama tropes.

The cinematography is excellent, and the special effects—as characters pass from one world to the next, or as pieces of the comic are drawn and then appear in the webtoon world—are top-notch and deceptively simple. Some effects are in-camera rather than digital, lending a level of reality to the cartoon world.

W would fit nicely into any of these genres: horror, fantasy, thriller, mystery, suspense, romance, action, and more. It is twisty, unpredictable, and references many kdrama tropes then refreshes the cliches to turn the story in unexpected directions.

The reason for so many genres intermingling is due to the story being hijacked by the characters, who don’t know the cartoonist’s plans but simply want to live. And to live on their own terms.

Story themes include existence, humanity, determining one’s own life/destiny/future, and the roles and relationships among god/creator, devil/antagonist, and allies and enemies. Choices have consequences—and the choices and consequences become manifold as fictional characters no longer follow the plot but assert their wills on the story. Viewers of varying philosophies or worldviews will find this an intriguing tale.

Currently, W is available on Viki, which allows viewers to comment during the show. However, during your first viewing of the show, I suggest turning off the scrolling comments at the top of the video window, as they can be distracting, annoying, downright funny. Best to watch without them, until you view the show a second time.

 

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The Shock of Night: The Darkwater Saga, Book 1, by Patrick Carr

The Shock of NightWelcome! Step inside for Day 2 of The Shock of Night blog tour. (My brief introduction to this month’s feature novel for the CSFF Blog Tour can be read here.)

Due to life-related factors, today’s entry will be equally brief. Others in the tour have delved into the writing itself and the spiritual and theological aspects of this fantasy-mystery tale, but I was struck by the inclusion of a PTSD-stricken protagonist (although such modern terminology was not used). In Carr’s previous series, the hero was an alcoholic young man who was abused since childhood — not typical fantasy fare.

In this series, the hero — Willet Dura — is a would-be priest who was sent to war, but his mind has shut out an important chunk of those experiences. Not only is part of his memory missing, he sleepwalks, and his job as one of the king’s reeves means he encounters death in many forms. In fact, he has a strange fascination with it, and he questions the dead about what they know now that they’re, well, dead.

I like that I can connect with Carr’s fictional folk. He knows that externals do not make up a man’s character, that not everything is what it seems, and that anything and anyone can change.

And they do.

Dura’s study of the dead takes a step toward the further-weird when he gains the ability to read the thoughts of the living.

I wrote yesterday that this is fantasy for grownups, but I think teens would like it, too.

And for readers who don’t want only mystery-solving or action scenes, there’s a quiet romance between Dura and Gael, a well-off young lady whose uncle is scheming up an advantageous marriage that doesn’t include Dura.

One thing that leans this story toward the grownup end of the readership is precisely that romance, and the other decisions and sacrifices that must be made. These characters aren’t teenagers in a coming-of-age tale, but are already adults who’ve been shaped by war and torment, hardship and abuse. Even allies can be at odds with one another, and pride and ignorance still cause folk to stumble, but — as a forty-something reader — it’s refreshing to encounter a fantasy yarn for readers older than sixteen. 😉

For other perspectives of The Shock of Night, visit these other stops on the blog tour:

Thomas Clayton Booher
Beckie Burnham
Carol Bruce Collett
Carol Gehringer
Victor Gentile
Rani Grant
Rebekah Gyger
Bruce Hennigan
Janeen Ippolito
Carol Keen
Rebekah Loper
Jennette Mbewe
Shannon McDermott
Meagan @ Blooming with Books
Rebecca LuElla Miller
Joan Nienhuis
Nissa
Audrey Sauble
Chawna Schroeder
Jessica Thomas
Robert Treskillard
Shane Werlinger
Phyllis Wheeler
Nicole White
Michelle R. Wood

 

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The Shock of Night

The Shock of NightThis month’s feature novel for the CSFF Blog Tour is fantasy for grownups, but without the “grit” / “edginess” (sex scenes, foul language, gratuitous violence) of some other, more famous series. It’s unnecessary here.

The Shock of Night, the first book in The Darkwater Saga by Patrick Carr, is fantasy-meets-murder mystery. Its protagonist is Willet Dura, one of the king’s reeves, who has a strange interest in the dead: He wants to know what they know, see what they see.

What he gains, though, is an ability to read the pasts and the thoughts of the living.

A gift he isn’t supposed to possess.

A gift that could unlock his own forgotten past.

A gift that could cost him his life.

———- * ———- * ———-

The novella By Divine Right is a prequel to the series and is free on Kindle, but all the necessary details can be picked up by readers in The Shock of Night.

Still, FREE. How can you pass that up? 😉

———- * ———- * ———-

I’ll be discussing the book over the next couple of days. Meantime, read more about it at these other stops along the tour:

Thomas Clayton Booher
Beckie Burnham
Carol Bruce Collett
Carol Gehringer
Victor Gentile
Rani Grant
Rebekah Gyger
Bruce Hennigan
Janeen Ippolito
Carol Keen
Rebekah Loper
Jennette Mbewe
Shannon McDermott
Meagan @ Blooming with Books
Rebecca LuElla Miller
Joan Nienhuis
Nissa
Audrey Sauble
Chawna Schroeder
Jessica Thomas
Robert Treskillard
Shane Werlinger
Phyllis Wheeler
Nicole White
Michelle R. Wood

 

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Book Bag

Book Bag

I used to have a book bag, a cloth receptacle for hauling my loot back and forth from the library, either when I walked or when I rode my bike there on a Saturday. Nowadays, we have digital bookbags — Kindles or Nooks or other e-reading devices — that are much lighter and more compact than the paperback-stuffed backpacks of yesteryear.

Here are a few suggested additions to those book bags:

1) The Big Shutdown by John Whalen

TheBigShutdown

The Big Shutdown. An entire planet is about to be made obsolete. Chaos rules as Nomad gangs terrorize what’s left of Tulon’s cities. Jack Brand, ex-Army Ranger, semi-retired Tulon Security Officer, searches for his missing sister, Terry. His journey takes him from desert wastelands to a domed city, and beyond. Along the way he meets the unforgettable Christy Jones, But love will have to wait until Brand finds his sister, and soon the last ship will leave for Earth.

“The Big Shutdown” is a new, revised edition of “Jack Brand,” a space western classic first published in 2010. Out of print for two years, Flying W Press brings it back with an introduction by Johne Cook, Overlord of Ray Gun Revival, the e-zine where the stories that became a novel were first published. Also included is an additional story from Whalen’s “This Raygun for Hire.” series, featuring Frank Carson, a futuristic trouble shooter for hire.

2) The Best of Heroic Fantasy Quarterly by various authors, and compiled by the editors at Heroic Fantasy Quarterly magazine.

HFQ 6x9 front cover ONLY-cropped

Tales gathered from frozen pre-history, sweltering jungles, and smoky mead halls, legends of this world and whispers of other worlds briefly glimpsed — here then are gathered works of adventure and danger, love and fury, seventeen of the best from the early days of Heroic Fantasy Quarterly.

Fiction by Richard Marsden, James Lecky, William Gerke, R. Michael Burns, Christopher Wood, Robert Rhodes, Dariel R. A. Quiogue, Jesse Bangs, P. Djeli Clark, and David Pilling.

Poetry by Danny Adams, Joshua Hampton, W. E. Couvillier, John Keller, Megan Arkenberg, Joshua Hampton, and David Sklar.

Introduction by John O’Neill of Black Gate Magazine.

3) The catalogue of books available at Oghma Creative Media, which publishes a wide variety of genres, including this recent offering:

TheJudasSteer

Is Blood Thicker Than Water?

Three years ago Aubrey Fox’s husband, a Pittsburg County Undersheriff, was discovered in a remote pasture, dead from an unknown assailant’s bullet. With few clues and even fewer leads, his case went cold. Aubrey was left to mourn as best she could, a loss made even greater for lack of closure. Who killed Mark and why? Meanwhile, life went on with two teenagers and a herd of cattle to feed.

When the local sheriff pays an unexpected visit and hints that someone higher up has reopened her husband’s case, Aubrey begins her own investigation. What she finds on his computer casts a wide net of involvement, but who pulled the trigger? Who would believe the results would render the face of organized crime in the United States as wearing a Stetson and hand-tooled Lucchese boots.

4) And, although this book has been out since the end of January 2015, it is now available on Kindle Unlimited, and is free for a few days (until Saturday, November 14):

Dragon's_Rook_Cover_Keanan_Brand_Susan_Troutt

 

Captain Gaerbith is heir to a secret: the location of a lost sword he cannot touch. In a village far from the battlefield, Kieran the blacksmith remembers nothing before the day when, as a young boy, he was found beside a dead man, a dagger in hand. Maggie is a healer’s apprentice, and earns her way as a laundress. Her shadowed past and crippled hand make her an object of suspicion and ridicule.  Far to the north, the king’s daughter—Yanámari—plots to escape the royal city and her father’s iron control.

King Morfran seeks a Kellish blacksmith who can recreate the lost sword, false proof of Morfran’s right to the throne. However, the true sword is made of etherium, the only metal capable of harming Dragons, and it can be wielded only by a descendent of Kel High King.

Forces are aligning, old prophecies are fulfilling, and in the east a fire glows in Dragon’s Rook.

Note: Apologies for the varied sizes of the book covers. No favoritism or slight is intended.

 

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A Reading Wonderland

A Reading Wonderland

Some of my most calming, curiosity-piquing, wonder-filled memories are of libraries and bookstores. Even the smallest or dimmest or least organized are magical places, perhaps made more so by their imperfections and the sense of exploring a cavern of delights.

Years ago, I used to spend my lunch breaks at The Snooper’s Barn on Towson Avenue in Fort Smith, Arkansas, poking through the dusty stackes in the back where history books and old volumes — some antique — were shelved higgledy-piggledy, sometimes in precarious Jenga-like towers.

I recently introduced my eldest niece to an excellent independent bookstore in Oklahoma City. When we entered Full Circle Books — serving readers for more than three decades — we stepped not through the looking glass, nor through a wardrobe, but through a modern glass and metal door, yet the magic still welcomed us.

entryway, Full Circle Books, c2015, KB

entryway, Full Circle Books, c2015, KB

 

fireplace and sitting area, Full Circle Books, c2015, KB

fireplace and sitting area, Full Circle Books, c2015, KB

 

an old friend, c2015, KB

an old friend, c2015, KB

 

She fell in love with the rambling space filled with hidden rooms and cozy nooks, and the old-fashioned ladders that travel back and forth on metal tracks in need of oiling.

The children’s rooms are well-stocked with old friends and new, including a French copy of Dr. Seuss’s One Fish, Two Fish, Red Fish, Blue Fish — my niece’s first excuse to climb a ladder, but I don’t think she really needed a reason. 😉

children's reading room, Full Circle Books (c2015, KB)

children’s reading room, Full Circle Books (c2015, KB)

 

IMG_2986^cropped

the red ladder (c2015, KB)

 

IMG_2989^vignette brown

by the light of Winnie the Pooh (c2015, KB)

 

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French Seuss (c2015, KB)

 

IMG_2999^light

I love Sandra Boynton books. (c2015, KB)

 

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another old friend (c2015, KB)

 

IMG_3006^vignette pale

familiar author names (c2015, KB)

 

IMG_3003^HDR soft

funky covers (c2015, KB)

Same spaces have the atmosphere of a comfortable corner of someone’s home, and every doorway welcomes.

a comfortable study (c2015, KB)

a comfortable study (c2015, KB)

 

c2015, KB

c2015, KB

 

IMG_3008^HDR soft

c2015, KB

 

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a cheery welcome at one of the several doorways (c2015, KB)

 

I came around the corner and encountered mysteries. There’s a metaphor there, I’m sure.

IMG_3014^saturated

c2015, KB

 

My niece later found another reason to climb a ladder — various collections of Edgar Allen Poe, to which she coined a pun: “If one is perusing the works of Edgar Allen, one could be said to be reading Poe-etry.”

We are a silly lot.

Jamie reading Poe (c2015, KB)

Jamie reading Poe (c2015, KB)

 

On the mantel of one of the fireplaces stands this whimsical fellow:

c2015, KB

c2015, KB

 

If you ever visit Oklahoma City, try to carve out time to visit Full Circle Books, especially if you’re an independent author. The staff are friendly and professional, and the store supports indie and local authors, and the variety of books is vast.

front desk and beyond (c2015, KB)

front desk and beyond (c2015, KB)

 

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The First Principle – day 3

The First Principle – day 3

A young adult perspective on this month’s CSFF Blog Tour novel:

Marissa Shrock‘s The First Principle wasn’t exactly what I expected. For one thing, It read like a spy thriller rather than like other books I’ve read in the same genre, which was refreshing since Christian-young-adult-dystopian-sci-fi is a pretty narrow genre.

There aren’t many pauses in the action – but that’s once you get to the action. The suspenseful moments are almost stressfully so, but the story gets off to a bit of a slow start, since Vivica doesn’t gain a big, personal conflict that the reader cares about until a couple of chapters in when she discovers her pregnancy. Even then, there’s still more pages to traverse before the suspense actually sets in.

The story itself deals with issues that are very real in the world today and that many people don’t want to talk about. In fact, this is the first story I’ve read that actually handles the issues of abortion and teen pregnancy with more than a passing mention. Not only that, but neither of those issues is glossed-over or given a prepackaged answer; rather, Vivica’s situation is discussed fully and with a lot of questions and struggles, and the Biblical response is presented in a good way. Also, the story isn’t kept “clean” and “safe” for the sake of not offending anyone; rather, it is allowed to handle realistic scenarios realistically.

FirstPrinciple-258x400The conversion scene in this book is also well-handled. When a character does finally accept Christ as Savior, there is no big to-do. Problems don’t all magically get better. Consequences are still consequences and the world is still an uncomfortable place. There are no rose-colored glasses involved, just inner peace and grace that the character sometimes has to struggle to accept.

I also like that not everything ends happily or easily, yet enough of it does end well enough that the reader can be satisfied, and that forgiveness is a big theme, yet so are consequences and responsibility.

I have one major complaint, that being that the title of The First Principle is never actually explained or even referenced in the book anywhere that I can find. What is the first principle exactly?

Overall, though, this is the best Christian-young-adult-dystopian-sci-fi that I’ve read so far, and while I’ve begun to tire of dystopias in general, I am looking forward to any sequels that may follow The First Principle.

Here is where I digress from the book a bit and talk about the genre: as I’ve said above, it’s a very narrow genre, and the seemingly-endless flood of dystopias on all fronts is especially beginning to grate.

Therefore, I would like to issue a note to authors in which I remind them that variety of concept is a good thing (you don’t just have to write whatever’s selling right now) and refer them to Amish Vampires in Space for an example of a story with a serious tone and message but also a mild dose of humor – mainly due to the creative blending of genres – and a noticeable lack of everything-going-to-pot-in-the-government.

I’m not saying everybody needs to start writing books like that one; just that it’s time to do something creatively different genre-wise from what’s being done right now.

~Jamie, age 17

For other perspectives on the novel:

Julie Bihn
Thomas Clayton Booher
Beckie Burnham
April Erwin
Victor Gentile
Carol Keen
Shannon McDermott
Meagan @ Blooming with Books
Megan @ Hardcover Feedback
Rebecca LuElla Miller
Joan Nienhuis
Nissa
Jalynn Patterson
Chawna Schroeder
Jessica Thomas

 

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