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Dragon’s Bane Update

Dragon’s Bane Update

First, a bit of housekeeping: The recent Goodreads giveaway was a success. Not quite as many participants as the 2015 giveaway, there were still a large number of entrants interested in Dragon’s Rook. The winners are Jessica from the Netherlands, and Sheila from New Mexico. Signed paperback copies have been mailed, and should arrive soon.

Second, questions have been asked by readers concerning the availability of Dragon’s Bane, the second half of The Lost Sword duology. They have served as prods to speed up the completion of the story:

1) I just finished Dragon’s Rook and loved it. Any news on when the sequel will be available for purchase? I can’t wait!

(T)hank you for the kind review! We writers pour pieces — minutes, hours, years — of our lives into our work, so when readers receive it well, we are encouraged to continue.

As for when Dragon’s Bane will be available, I had hoped it would be completed and published by January 2016, but life matters took me away from it for a long while. (I won’t bore you with the details.) However, I hope to have it ready soon.

Today’s revisions included (SPOILER ALERT) a reunion scene between two characters who each thought the other was dead. 🙂

2) I just finished Dragon’s Rook, really liked it. I was wondering when the sequel is coming?

First, thank you for reading the book!

Second, I’m pleased that you enjoyed it.

Third, I wanted the book completed and published this year. However, due to life circumstances, my writing has been quite slow. Dragon’s Bane is about one-third complete, and there are copious notes regarding unwritten scenes.

The ending scene was written about fifteen years ago — believe it or not! — but it may change. I’m exploring a couple of potential plot twists that never occurred to me during the writing of the first book, but which may deepen the story even further.

Below is a taste, a scene from the first third of the book, a confrontation between Lady Yanámari and her mother, Queen Una:

The eyes widened, the fury grew, and as it did, Queen Una fully materialized, her form solid, even the tiny creases around her eyes and mouth delineated. She released Yanámari and stepped back, lifting her arms from her sides and lowering her head, looking at Yanámari from beneath dark brows.

As the queen opened her mouth to speak, Yanámari laughed. The sight was too comical: flowing black garments, menacing stare, threatening posture. A bit too much like the Hôk Nar Brethren. In the past two days, she had seen more amazing things than this.

Beside, what true power resorted to manipulation and magic?

There was something external about magic, as if the one who practiced it and the one upon whom it was practiced were both tools of a capricious power that must be cajoled and lured with secret rites and careful spells. Is that where her mother had been all these years? Learning the dark arts? What an absurd expenditure of time.

Where was she when I was a child and longed for a mother? When I might have loved her?

But there was no hope of traveling that road—the cart had already passed.

(c2016, KB)

For more information or to read reviews, visit keananbrand.com.

 

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Step Right Up!

Step Right Up!

(rabid used-car-salesman gestures and wild-eyed look) “Step right up, folks! A once-in-a-lifetime opportunity!”

The lawyer clears his throat, and the salesman amends his pitch. “A once-in-a-year opportunity!”

The lawyer nods.

“Enter now to win one of two signed paperback copies of Dragon’s Rook!”

And, for those readers who don’t prefer the high-pressure sales pitch, here’s a graphic with an embedded link, which you may click or not, as you wish. 😉

2 Win a FREE Book!

 

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Gotcha Covered

Last night’s writer’s meeting was ill-attended; only three of us showed up. However, that allowed me to seek advice from the librarian who leads the group, and ask her how the exteriors of books affect 1) inclusion in the library’s collection, and 2) reader choice.

Concerned about my preference for simplicity in artwork or design, I was surprised — and yet not — by her responses. Sure, if the artwork is cheesy and/or seems at odds with the subject matter, the staff might have a laugh, but what’s most annoying to them are book covers so minimalistic they reveal nothing about the content. She mentioned one publisher that tends toward such spareness there’s no artwork or even a description of the plot. Just the title and the author’s name.

So simplicity of decoration is fine, but tell readers about the story. Give ’em some reason to choose your book.

“If the reader flips to the back to read the blurb, you’re almost guaranteed they’ll check out the book.”

Then she looked at my rough draft for the cover of Thieves Honor. It looked like a thriller, not science fiction, but the fix was easy: She suggested I flip the background image, so the front became the back, and vice versa. The color gradiant and the angle of the light changed, giving the illusion of outer space rather than what the photo actually portrays — a table, a wooden chair, and the light from my computer screen all running together into a tie-dye abstraction of formless color.

The current draft of the front cover:

in-progress cover (c2016, KB)

in-progress cover (c2016, KB)

So, can I get away with no focal image on the cover, or is some artwork still needed? And is the look too “homemade” to be taken seriously?

For reference, the original image in its original orientation:

Abstraction (c2016, KB)

Abstraction (c2016, KB)

 

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Book Bag

Book Bag

I used to have a book bag, a cloth receptacle for hauling my loot back and forth from the library, either when I walked or when I rode my bike there on a Saturday. Nowadays, we have digital bookbags — Kindles or Nooks or other e-reading devices — that are much lighter and more compact than the paperback-stuffed backpacks of yesteryear.

Here are a few suggested additions to those book bags:

1) The Big Shutdown by John Whalen

TheBigShutdown

The Big Shutdown. An entire planet is about to be made obsolete. Chaos rules as Nomad gangs terrorize what’s left of Tulon’s cities. Jack Brand, ex-Army Ranger, semi-retired Tulon Security Officer, searches for his missing sister, Terry. His journey takes him from desert wastelands to a domed city, and beyond. Along the way he meets the unforgettable Christy Jones, But love will have to wait until Brand finds his sister, and soon the last ship will leave for Earth.

“The Big Shutdown” is a new, revised edition of “Jack Brand,” a space western classic first published in 2010. Out of print for two years, Flying W Press brings it back with an introduction by Johne Cook, Overlord of Ray Gun Revival, the e-zine where the stories that became a novel were first published. Also included is an additional story from Whalen’s “This Raygun for Hire.” series, featuring Frank Carson, a futuristic trouble shooter for hire.

2) The Best of Heroic Fantasy Quarterly by various authors, and compiled by the editors at Heroic Fantasy Quarterly magazine.

HFQ 6x9 front cover ONLY-cropped

Tales gathered from frozen pre-history, sweltering jungles, and smoky mead halls, legends of this world and whispers of other worlds briefly glimpsed — here then are gathered works of adventure and danger, love and fury, seventeen of the best from the early days of Heroic Fantasy Quarterly.

Fiction by Richard Marsden, James Lecky, William Gerke, R. Michael Burns, Christopher Wood, Robert Rhodes, Dariel R. A. Quiogue, Jesse Bangs, P. Djeli Clark, and David Pilling.

Poetry by Danny Adams, Joshua Hampton, W. E. Couvillier, John Keller, Megan Arkenberg, Joshua Hampton, and David Sklar.

Introduction by John O’Neill of Black Gate Magazine.

3) The catalogue of books available at Oghma Creative Media, which publishes a wide variety of genres, including this recent offering:

TheJudasSteer

Is Blood Thicker Than Water?

Three years ago Aubrey Fox’s husband, a Pittsburg County Undersheriff, was discovered in a remote pasture, dead from an unknown assailant’s bullet. With few clues and even fewer leads, his case went cold. Aubrey was left to mourn as best she could, a loss made even greater for lack of closure. Who killed Mark and why? Meanwhile, life went on with two teenagers and a herd of cattle to feed.

When the local sheriff pays an unexpected visit and hints that someone higher up has reopened her husband’s case, Aubrey begins her own investigation. What she finds on his computer casts a wide net of involvement, but who pulled the trigger? Who would believe the results would render the face of organized crime in the United States as wearing a Stetson and hand-tooled Lucchese boots.

4) And, although this book has been out since the end of January 2015, it is now available on Kindle Unlimited, and is free for a few days (until Saturday, November 14):

Dragon's_Rook_Cover_Keanan_Brand_Susan_Troutt

 

Captain Gaerbith is heir to a secret: the location of a lost sword he cannot touch. In a village far from the battlefield, Kieran the blacksmith remembers nothing before the day when, as a young boy, he was found beside a dead man, a dagger in hand. Maggie is a healer’s apprentice, and earns her way as a laundress. Her shadowed past and crippled hand make her an object of suspicion and ridicule.  Far to the north, the king’s daughter—Yanámari—plots to escape the royal city and her father’s iron control.

King Morfran seeks a Kellish blacksmith who can recreate the lost sword, false proof of Morfran’s right to the throne. However, the true sword is made of etherium, the only metal capable of harming Dragons, and it can be wielded only by a descendent of Kel High King.

Forces are aligning, old prophecies are fulfilling, and in the east a fire glows in Dragon’s Rook.

Note: Apologies for the varied sizes of the book covers. No favoritism or slight is intended.

 

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The Back Side of a Business Card

Businesses and medical offices are making use of the backs of business cards by posting additional information, such as appointment times, website links, or special offers.

I’ve decided to use mine to market both sides of my writerly personality — one on the front, one on the back:

lp-back

lp-front

These were designed using Vistaprint, and the images are the work of Suzan Troutt (dragon eye) and Jennifer Easter (stick-figure dragon).

Is there a fellow writer or artist or other creative person you trust and whose work you want to promote? Ask if they will split the printing costs and share a business card. It’s low-key marketing that immediately broadens your reach.

(all images copyrighted)

 

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