Advice to a Young Writer

This message from a young writer arrived last week via my website:

I am interested in writing teen fiction light novels. The genre I would like to work with is fantasy, adventure, and space. What does it take to become a fiction writer? What steps did you take? and How did you accomplish your work? I am still working on my fiction story. I created a link [omitted]. Just to get a head start.

A few days later, when I had time to provide a lucid reply after sleeping hours and hours, I wrote back:

Welcome to the land of stories! We writers are an odd bunch, living so often as we do in worlds of myth and make-believe.

How does one become a writer? One writes.

A lot.

Like all crafts, writing takes time and practice. Often, the first book written will not be the first book published. Many writers have manuscripts that will never see publication, because those were their practice books. Maybe book three or book five is the one finally published, the one readers might think is the author’s first book ever.

Dragon’s Rook took twenty years from concept to publication. Most writers don’t take that long. I was busy making a living while writing short stories and poems, submitting them to contests or magazines, and then — at long last — finishing a novel.

However, there are many unfinished novels. Some I threw away, because the time to write them had long past. Some I kept, because I still have a passion to complete them.

I can’t give you any rules or checklists to guide your journey. It’s unique to you. However, all writers become writers by — drum roll, please! — writing.

Learn all you can about constructing compelling storylines, creating intriguing characters, writing dynamic dialogue, and even learn proper grammar and sentence construction. Good paragraphs are structured like good jokes: not that they are all funny, but that they build toward a strong ending. Write a strong sentence, write a strong paragraph, write a strong scene. Repeat until you have a chapter, until you have another chapter, until you finally have a book.

Avoid cliched phrases or trite characters. Avoid lazy writing. There may be only a limited number of stories in the world, but find a way to tell your story in a fresh way.

Be open to constructive criticism. Not nasty put-downs, but honest feedback meant to help your work improve. Be humble and teachable. Be ready to stand up for your story choices, if necessary, but also be ready to consider other options. Be willing to look at the story honestly, and to see its flaws as well as its strengths.

I saw on your website that you have some of your story posted. A word of caution: Avoid offering too much of your work for free, or too soon. A chapter or a scene might be okay, or a short story related to the novel not included in the book itself. (Many writers are offering free short stories or deleted scenes as bonus material for readers.)

I wish you all the best on your journey, and I hope to hear good things about you in the future.

Sincerely,
KB

Any other advice you’d give a young writer?

 

When Gaerbith Met Kieran

Struggling to complete this scene. I’ve already composed the first paragraphs of a scene that comes later, involving these characters, but am not sure how to proceed with this fight scene. It should be intense, I think, but witty.

Perhaps I am asking too much of it.

From the Plains rose a smudge of green that grew or shrank depending on the swell of the land as they travelled. Days later, it revealed itself as trees, and in two more days, the trees revealed their size, giants standing arm-in-arm.

Yanámari halted her mount on a grassy rise and looked East. “The Guardians.”

Gaerbith nudged his horse up the slope and joined her. Thick limbs intertwined, and massive trunks were separated only by the shadows between them. Somewhere beyond them light flashed, perhaps sun reflecting from the glass observatory built by King Meresh in long ages past. How had it survived the war and all the centuries after?

“The House of the Sky,” Gaerbith said, clasping Yanámari’s hand. “Home to your mother’s ancestors.”

“That blood is too remote to claim any kinship here.”

“Still. Almost home.”

By nightfall, they rested in a hollow among the tangled roots of the guardians. Fallen branches provided enough fuel for a fire in a small pit dug where the Plains sidled up to the trees, and a tiny brook trickled out from the shadows as if it had been awaiting their arrival before springing up from the ground. Gaerbith and Yanámari sipped handfuls from the rill spilling over tumbled stones, and the horses drank from the little pool it formed before disappearing into the tall, waving grass. Animals shuffled and snuffled somewhere beyond the Guardians—familiar night noises—but when a sudden silence fell, both horses lifted their heads, chins dripping, and pointed noses and ears toward the darkness.

A faint shrr of cloth against cloth sounded a moment before the quiet firmness of a careful footfall.

Reaching over his shoulder, Gaerbith gripped the hilt of his sword. “Come, you. No skulking. Show your face.”

He did not expect the answering chuckle, or the pleasant low voice that accompanied it. “That sword is nigh man-tall. Exchange it for a stave, and we will have fine sport.”

A thick staff flew from the shadows. Gaerbith caught it more by instinct than sight.

 

c2017, KB, for Dragon’s Bane, a novel

 

The connection between these two guys is a minor plot twist — revealed to the reader earlier in the story, but not yet known to Kieran. And, at this moment, not known to either guy, because Gaerbith does not yet know it’s Kieran who is challenging him.

 

W: When Characters Attack!

What happens when a writer grows weary of his characters?

What happens when they fight back?

One is reminded of Sir Arthur Conan Doyle attempting to rid himself of Sherlock Holmes at Reichenbach Falls, or the author in Stranger Than Fiction whose protagonists never make it out alive.

Or perhaps the writer realizes she’s dug herself into a literary hole and doesn’t know when or how to end the story. (Lost, I’m lookin’ at you. And you, too, Once Upon a Time, which should have lasted only a season or two, before you misused your great cast and intriguing premise to go screaming off the rails into soap opera badlands.)

W is a 2016 South Korean television drama in the vein of Stranger Than Fiction, Secret Window, The Truman Show, The God Hater, and other stories where the characters confront or interact with their authors, their audiences, or their creators. In this series, comicbook characters become aware of their fictionhood and enter the real world to confront their creator.

First, the protagonist learns why a shadowy figure is trying to kill him and turns the tables on his creator. then the villain also realizes he can enter the other dimension, and demands of the creator a face and an identity.

How the story begins:

Kang Cheol has a few loyal associates upon whom he relies, but when a mysterious woman saves his life more than once, he’s intrigued. Although the police are seeking her as a material witness and a suspect in the multiple attempts on his life, Kang Cheol hides her in order to protect her not only from the police but also from his murderous stalker.

Meantime, his television station, W—which stands for Who and Why—broadcasts and solves cold cases that the police have abandoned. He has earned a golden reputation in society for his ingenuity, wealth, generosity, and dogged pursuit of justice.

Oh Yeon Joo is alerted by her father’s fellow artists that he is missing. He went into his office one day, and although he was never seen leaving, he cannot be found. As she’s standing in his office, searching for clues, a bloody hand reaches through his art tablet and pulls her into the world of W. Without valid ID, money, or other resources, she attempts to navigate the comicbook world and find a way back to her own.

Oh Seung Moo has made his fortune and his reputation with W, finally rising from obscurity to fame with the bestselling series. Why, then has he written an abrupt ending for the protagonist—a bloody death without the satisfaction of a solved crime? After all, fans have been awaiting the revelation of the villain who killed Kang Cheol’s family.

But Kang Cheol will not die, and he begins to affect the story from the other side of the tablet. Seung Moo is no longer in control of his creation.

Has Seung Moo run away, unable to cope with success? Or is he suffering a common literary malady—an inability to properly resolve the story?

And why does Kang Cheol believe Yeon Joo is “the key to my life”?

The answer to that, my friends, is a plot twist.

At only 16 episodes long, W is fast-paced. However, it does slow down a little on occasion, allowing the viewer to catch his or her breath and often poking gentle fun at kdrama tropes.

The cinematography is excellent, and the special effects—as characters pass from one world to the next, or as pieces of the comic are drawn and then appear in the webtoon world—are top-notch and deceptively simple. Some effects are in-camera rather than digital, lending a level of reality to the cartoon world.

W would fit nicely into any of these genres: horror, fantasy, thriller, mystery, suspense, romance, action, and more. It is twisty, unpredictable, and references many kdrama tropes then refreshes the cliches to turn the story in unexpected directions.

The reason for so many genres intermingling is due to the story being hijacked by the characters, who don’t know the cartoonist’s plans but simply want to live. And to live on their own terms.

Story themes include existence, humanity, determining one’s own life/destiny/future, and the roles and relationships among god/creator, devil/antagonist, and allies and enemies. Choices have consequences—and the choices and consequences become manifold as fictional characters no longer follow the plot but assert their wills on the story. Viewers of varying philosophies or worldviews will find this an intriguing tale.

Currently, W is available on Viki, which allows viewers to comment during the show. However, during your first viewing of the show, I suggest turning off the scrolling comments at the top of the video window, as they can be distracting, annoying, downright funny. Best to watch without them, until you view the show a second time.

Click here to view on Viki

 

Dragon’s Bane Update

First, a bit of housekeeping: The recent Goodreads giveaway was a success. Not quite as many participants as the 2015 giveaway, there were still a large number of entrants interested in Dragon’s Rook. The winners are Jessica from the Netherlands, and Sheila from New Mexico. Signed paperback copies have been mailed, and should arrive soon.

Second, questions have been asked by readers concerning the availability of Dragon’s Bane, the second half of The Lost Sword duology. They have served as prods to speed up the completion of the story:

1) I just finished Dragon’s Rook and loved it. Any news on when the sequel will be available for purchase? I can’t wait!

(T)hank you for the kind review! We writers pour pieces — minutes, hours, years — of our lives into our work, so when readers receive it well, we are encouraged to continue.

As for when Dragon’s Bane will be available, I had hoped it would be completed and published by January 2016, but life matters took me away from it for a long while. (I won’t bore you with the details.) However, I hope to have it ready soon.

Today’s revisions included (SPOILER ALERT) a reunion scene between two characters who each thought the other was dead. 🙂

2) I just finished Dragon’s Rook, really liked it. I was wondering when the sequel is coming?

First, thank you for reading the book!

Second, I’m pleased that you enjoyed it.

Third, I wanted the book completed and published this year. However, due to life circumstances, my writing has been quite slow. Dragon’s Bane is about one-third complete, and there are copious notes regarding unwritten scenes.

The ending scene was written about fifteen years ago — believe it or not! — but it may change. I’m exploring a couple of potential plot twists that never occurred to me during the writing of the first book, but which may deepen the story even further.

Below is a taste, a scene from the first third of the book, a confrontation between Lady Yanámari and her mother, Queen Una:

The eyes widened, the fury grew, and as it did, Queen Una fully materialized, her form solid, even the tiny creases around her eyes and mouth delineated. She released Yanámari and stepped back, lifting her arms from her sides and lowering her head, looking at Yanámari from beneath dark brows.

As the queen opened her mouth to speak, Yanámari laughed. The sight was too comical: flowing black garments, menacing stare, threatening posture. A bit too much like the Hôk Nar Brethren. In the past two days, she had seen more amazing things than this.

Beside, what true power resorted to manipulation and magic?

There was something external about magic, as if the one who practiced it and the one upon whom it was practiced were both tools of a capricious power that must be cajoled and lured with secret rites and careful spells. Is that where her mother had been all these years? Learning the dark arts? What an absurd expenditure of time.

Where was she when I was a child and longed for a mother? When I might have loved her?

But there was no hope of traveling that road—the cart had already passed.

(c2016, KB)

For more information or to read reviews, visit keananbrand.com.

 

Step Right Up!

(rabid used-car-salesman gestures and wild-eyed look) “Step right up, folks! A once-in-a-lifetime opportunity!”

The lawyer clears his throat, and the salesman amends his pitch. “A once-in-a-year opportunity!”

The lawyer nods.

“Enter now to win one of two signed paperback copies of Dragon’s Rook!”

And, for those readers who don’t prefer the high-pressure sales pitch, here’s a graphic with an embedded link, which you may click or not, as you wish. 😉

 

And Now I Wait

My query, sent a few moments ago to Intergalactic Medicine Show:

Greetings!

Attached is “The Dragon and the Firefly”, a short story (approx. 8,000 words) set in a fantasy version of Japan in the era of samurai and shoguns. In this world, serpent-fruit trees can heal or kill, and children left at their base are said to grow up blessed. A warlord, Minoru, battles the emperor for control of the One Tree, the only such tree able to bring life to the dead. Long after the war, though, why is Minoru still unwell, and why is a dead man roaming the streets?

I hope you enjoy this tale, and thank you for your consideration.

Sincerely,
Keanan Brand

Now the dreaded three-month wait for a response. 😉

I believe “The Dragon and the Firefly” has more than a fighting chance. In case of rejection, I may publish the story on Kindle, but it’d be encouraging if the editors select it for publication.

(c2016, KB)

 

The Shock of Night: The Darkwater Saga, Book 1, by Patrick Carr

Welcome! Step inside for Day 2 of The Shock of Night blog tour. (My brief introduction to this month’s feature novel for the CSFF Blog Tour can be read here.)

Due to life-related factors, today’s entry will be equally brief. Others in the tour have delved into the writing itself and the spiritual and theological aspects of this fantasy-mystery tale, but I was struck by the inclusion of a PTSD-stricken protagonist (although such modern terminology was not used). In Carr’s previous series, the hero was an alcoholic young man who was abused since childhood — not typical fantasy fare.

In this series, the hero — Willet Dura — is a would-be priest who was sent to war, but his mind has shut out an important chunk of those experiences. Not only is part of his memory missing, he sleepwalks, and his job as one of the king’s reeves means he encounters death in many forms. In fact, he has a strange fascination with it, and he questions the dead about what they know now that they’re, well, dead.

I like that I can connect with Carr’s fictional folk. He knows that externals do not make up a man’s character, that not everything is what it seems, and that anything and anyone can change.

And they do.

Dura’s study of the dead takes a step toward the further-weird when he gains the ability to read the thoughts of the living.

I wrote yesterday that this is fantasy for grownups, but I think teens would like it, too.

And for readers who don’t want only mystery-solving or action scenes, there’s a quiet romance between Dura and Gael, a well-off young lady whose uncle is scheming up an advantageous marriage that doesn’t include Dura.

One thing that leans this story toward the grownup end of the readership is precisely that romance, and the other decisions and sacrifices that must be made. These characters aren’t teenagers in a coming-of-age tale, but are already adults who’ve been shaped by war and torment, hardship and abuse. Even allies can be at odds with one another, and pride and ignorance still cause folk to stumble, but — as a forty-something reader — it’s refreshing to encounter a fantasy yarn for readers older than sixteen. 😉

For other perspectives of The Shock of Night, visit these other stops on the blog tour:

Thomas Clayton Booher
Beckie Burnham
Carol Bruce Collett
Carol Gehringer
Victor Gentile
Rani Grant
Rebekah Gyger
Bruce Hennigan
Janeen Ippolito
Carol Keen
Rebekah Loper
Jennette Mbewe
Shannon McDermott
Meagan @ Blooming with Books
Rebecca LuElla Miller
Joan Nienhuis
Nissa
Audrey Sauble
Chawna Schroeder
Jessica Thomas
Robert Treskillard
Shane Werlinger
Phyllis Wheeler
Nicole White
Michelle R. Wood

 

The Shock of Night

This month’s feature novel for the CSFF Blog Tour is fantasy for grownups, but without the “grit” / “edginess” (sex scenes, foul language, gratuitous violence) of some other, more famous series. It’s unnecessary here.

The Shock of Night, the first book in The Darkwater Saga by Patrick Carr, is fantasy-meets-murder mystery. Its protagonist is Willet Dura, one of the king’s reeves, who has a strange interest in the dead: He wants to know what they know, see what they see.

What he gains, though, is an ability to read the pasts and the thoughts of the living.

A gift he isn’t supposed to possess.

A gift that could unlock his own forgotten past.

A gift that could cost him his life.

———- * ———- * ———-

The novella By Divine Right is a prequel to the series and is free on Kindle, but all the necessary details can be picked up by readers in The Shock of Night.

Still, FREE. How can you pass that up? 😉

———- * ———- * ———-

I’ll be discussing the book over the next couple of days. Meantime, read more about it at these other stops along the tour:

Thomas Clayton Booher
Beckie Burnham
Carol Bruce Collett
Carol Gehringer
Victor Gentile
Rani Grant
Rebekah Gyger
Bruce Hennigan
Janeen Ippolito
Carol Keen
Rebekah Loper
Jennette Mbewe
Shannon McDermott
Meagan @ Blooming with Books
Rebecca LuElla Miller
Joan Nienhuis
Nissa
Audrey Sauble
Chawna Schroeder
Jessica Thomas
Robert Treskillard
Shane Werlinger
Phyllis Wheeler
Nicole White
Michelle R. Wood

 

Pilgrimage, Heroic Fantasy, and Robin Hood

The difference between wanting to write and having written is…hard, relentless labour. It’s a bridge you have to build all by yourself, all alone, all through the night, while the world goes about its business without giving a damn. The only way of making this perilous passage is by looking at it as a pilgrimage. ― Shatrujeet Nath

What a pilgrimage it has been — and it’s far from ended.

I meant to write a blog post last month, or perhaps the month before, about the most influential character I ever encountered as a reader, and thought the character and the words would come pouring forth with ease.

I shoulda known better.

My imagination went into hiding, I seemed to forget every story I’d ever read, and all the words evaporated like summer rain in the desert.

Add to that sudden betrayal by my brain the equally sudden request from my friends at Heroic Fantasy Quarterly: They’d finalized the stories and poems for their anthology, and were ready for me to do my part — design and format the book.

I’d been preparing for this event for about two years. It is one of several reasons I published Dragon’s Rook after almost throwing it away. Needing material on which to practice, I heavily revised the novel and restructured it, then learned how to format it for print and e-book, and then — with the artwork and cover design from a friend — published it independently. The experience and skills gained from that process has been put to excellent use in helping bring HFQ’s anthology to the public.

Words may have hidden from me, but book formatting is a different kind of creativity.There wasn’t much time to bemoan the lack of storytelling or blog posting — there was a cover to design, and text to manipulate, and fonts to sample. And a deadline to meet.

Still, I pondered which character(s) could be considered “the most influential”, but didn’t know the answer until it strolled onto the scene in a private message exchange on social media. A fellow writer said he was preparing to read my book, but had lost some of his enthusiasm for the genre.

There’s more to his message, and more to my reply, but this is the portion pertinent to this post:

(I)f you proceed, I hope you’re pleasantly surprised. People see swords and dragons, and they form opinions without knowing how those items are used in the story. Rather than being a Tolkien knock-off or a GRRM wannabe, Dragon’s Rook is its own thing.

Couldn’t duplicate GRRM or Robert Jordan or most others, even if I tried, because I’ve never read them. My reading is mainly in other genres — detective mysteries, for example.

The main stylistic influence is Howard Pyle’s The Merry Adventures of Robin Hood, a book which led to trouble one summer when I confessed to having read it x number of times and was about to read it again. Dad decided I needed to get out more, so he made my brother and me cut and haul pine on BLM land that needed to be cleared, and then we stacked it at our house in preparation for winter. (Yes, I have stories about stories.)

Bingo! Robin Hood! How did I not realize that before?

a photo of the front cover of my beloved Velveteen-Rabbit-ed copy (KB)

He isn’t the only character who has influenced my life once I read his/her story, but Robin i’ the Hood certainly had an impact on my plans that summer.

My dad meant to make me exercise and soak up sunlight, but he’s also the one who introduced me to this edition of the book, and he used to read portions aloud, so — loving it as he did — what did he expect but that I would love it, too?

I loved it so much, in fact, that the copy pictured here has begun to fall apart. Several years ago, I purchased a replacement copy — in much better shape, almost pristine — of this very same edition. It is the best, mimicking an illuminated text, and rich with color and action.

I’ve read other versions by other authors, but none beats Howard Pyle’s. It’s robust, full of humor and tragedy and exploits, and it fired my imagination until I composed pale imitations of the adventures of Robin and his merry band.

In seeking for something Robin-like, I stumbled upon other classic tales, such as Baroness Orczy’s The Scarlet Pimpernel.

You guessed it. That book’s falling apart, too.

 

Book Bag

I used to have a book bag, a cloth receptacle for hauling my loot back and forth from the library, either when I walked or when I rode my bike there on a Saturday. Nowadays, we have digital bookbags — Kindles or Nooks or other e-reading devices — that are much lighter and more compact than the paperback-stuffed backpacks of yesteryear.

Here are a few suggested additions to those book bags:

1) The Big Shutdown by John Whalen

The Big Shutdown. An entire planet is about to be made obsolete. Chaos rules as Nomad gangs terrorize what’s left of Tulon’s cities. Jack Brand, ex-Army Ranger, semi-retired Tulon Security Officer, searches for his missing sister, Terry. His journey takes him from desert wastelands to a domed city, and beyond. Along the way he meets the unforgettable Christy Jones, But love will have to wait until Brand finds his sister, and soon the last ship will leave for Earth.

“The Big Shutdown” is a new, revised edition of “Jack Brand,” a space western classic first published in 2010. Out of print for two years, Flying W Press brings it back with an introduction by Johne Cook, Overlord of Ray Gun Revival, the e-zine where the stories that became a novel were first published. Also included is an additional story from Whalen’s “This Raygun for Hire.” series, featuring Frank Carson, a futuristic trouble shooter for hire.

2) The Best of Heroic Fantasy Quarterly by various authors, and compiled by the editors at Heroic Fantasy Quarterly magazine.

Tales gathered from frozen pre-history, sweltering jungles, and smoky mead halls, legends of this world and whispers of other worlds briefly glimpsed — here then are gathered works of adventure and danger, love and fury, seventeen of the best from the early days of Heroic Fantasy Quarterly.

Fiction by Richard Marsden, James Lecky, William Gerke, R. Michael Burns, Christopher Wood, Robert Rhodes, Dariel R. A. Quiogue, Jesse Bangs, P. Djeli Clark, and David Pilling.

Poetry by Danny Adams, Joshua Hampton, W. E. Couvillier, John Keller, Megan Arkenberg, Joshua Hampton, and David Sklar.

Introduction by John O’Neill of Black Gate Magazine.

3) The catalogue of books available at Oghma Creative Media, which publishes a wide variety of genres, including this recent offering:

Is Blood Thicker Than Water?

Three years ago Aubrey Fox’s husband, a Pittsburg County Undersheriff, was discovered in a remote pasture, dead from an unknown assailant’s bullet. With few clues and even fewer leads, his case went cold. Aubrey was left to mourn as best she could, a loss made even greater for lack of closure. Who killed Mark and why? Meanwhile, life went on with two teenagers and a herd of cattle to feed.

When the local sheriff pays an unexpected visit and hints that someone higher up has reopened her husband’s case, Aubrey begins her own investigation. What she finds on his computer casts a wide net of involvement, but who pulled the trigger? Who would believe the results would render the face of organized crime in the United States as wearing a Stetson and hand-tooled Lucchese boots.

4) And, although this book has been out since the end of January 2015, it is now available on Kindle Unlimited, and is free for a few days (until Saturday, November 14):

 

Captain Gaerbith is heir to a secret: the location of a lost sword he cannot touch. In a village far from the battlefield, Kieran the blacksmith remembers nothing before the day when, as a young boy, he was found beside a dead man, a dagger in hand. Maggie is a healer’s apprentice, and earns her way as a laundress. Her shadowed past and crippled hand make her an object of suspicion and ridicule.  Far to the north, the king’s daughter—Yanámari—plots to escape the royal city and her father’s iron control.

King Morfran seeks a Kellish blacksmith who can recreate the lost sword, false proof of Morfran’s right to the throne. However, the true sword is made of etherium, the only metal capable of harming Dragons, and it can be wielded only by a descendent of Kel High King.

Forces are aligning, old prophecies are fulfilling, and in the east a fire glows in Dragon’s Rook.

Note: Apologies for the varied sizes of the book covers. No favoritism or slight is intended.