Last night’s writer’s meeting was ill-attended; only three of us showed up. However, that allowed me to seek advice from the librarian who leads the group, and ask her how the exteriors of books affect 1) inclusion in the library’s collection, and 2) reader choice.
Concerned about my preference for simplicity in artwork or design, I was surprised — and yet not — by her responses. Sure, if the artwork is cheesy and/or seems at odds with the subject matter, the staff might have a laugh, but what’s most annoying to them are book covers so minimalistic they reveal nothing about the content. She mentioned one publisher that tends toward such spareness there’s no artwork or even a description of the plot. Just the title and the author’s name.
So simplicity of decoration is fine, but tell readers about the story. Give ’em some reason to choose your book.
“If the reader flips to the back to read the blurb, you’re almost guaranteed they’ll check out the book.”
Then she looked at my rough draft for the cover of Thieves Honor. It looked like a thriller, not science fiction, but the fix was easy: She suggested I flip the background image, so the front became the back, and vice versa. The color gradiant and the angle of the light changed, giving the illusion of outer space rather than what the photo actually portrays — a table, a wooden chair, and the light from my computer screen all running together into a tie-dye abstraction of formless color.
The current draft of the front cover:
So, can I get away with no focal image on the cover, or is some artwork still needed? And is the look too “homemade” to be taken seriously?
For reference, the original image in its original orientation:
January 29, 2016 at 11:08 am
I absolutely prefer a cover image with people in a frozen moment to provoke people to look inside. Let me know if I can help fund such a cover. 😉
February 2, 2016 at 2:21 pm
Johne, I certainly will. 🙂
Still on the hunt, though, trying to find something close to the images in my head. Times like these, I wish my skill with a pencil extended beyond words to drawing.